REV. J.C. JENKINS & COMPANY
By Bob Marovich
The Sounds of Joy, featuring the hard-singing lead vocals of Rev. J. C. Jenkins, is a nod to the deep southern soul quartet sound of the 1970s and 1980's.
The major seventh Northern Soul Harmonies combined with Jenkins’ pulpit-hued raspy lead vocals are most evident on “He’s Done It All for Me,” the opening track on the group’s Sharp Records album, Don’t You Forget to Remember. The song’s recounting of biblical miracles establishes the premise that if He did it then, He will do it now. Or, as Jenkins declares, “God never done nobody wrong.”
Leaving one’s troubles at the doorstep of Jesus is also the theme of “Straighten it Out” and of a funky remake of the classic gospel quartet handclapper, “Let Me Lean on You.” The title track is decent, although the more than one minute introduction leaves the listener wondering at first whether it will be an instrumental track.
The production quality suffers a bit from background hiss, and the simple, stripped down CD info provides no information on the group other than its national booking contact info and ReverbNation website. What we learn at ReverbNation is that the quartet hails from Gadsden, Alabama, and that 50 percent of the sales of the album will go to the charity Keep a Child Alive.
One thing is for sure: these guys can sing. Don’t You Forget to Remember is reminiscent of the 1970's and 1980's DIY projects that gave quartets like the Sounds of Joy an aural business card to promote their live programs and radio appearances.
Three of Five Stars
Pick: “He’s Done It All For Me”
ARTIST WRITE UP
By Bob Marovich
The Zion Jubilees remain the flagship artist for Sharp Records. The quartet’s new CD, Jesus Is All I Need, recorded live in the group’s hometown of Bryan, Texas, proves there is still power in the traditional gospel quartet sound.
Since its founding as the Reed Brothers in the late 1950's, the Zion Jubilees has dished out wooden church wisdom steeped in sweet harmonies and hard gospel lead singing. Making records for Stan Lewis’s Shreveport-based Jewel Records in the 1970's, the group released albums on its own until signing with Sharp several years ago.
The inevitability of death and life in the hereafter are recurrent themes in gospel music, and they are on this CD, no doubt because members such as the Reverend Roy Reed are looking this fact square in the face, as are the quartet’s more senior enthusiasts. For example, on “Going Up Yonder,” an album highlight (but not the Hawkins classic), Reed admits he doesn't know how long he'll be singing down here, but no matter when he leaves, he wants to go where Jesus is. The song is rendered in the congregational singalong style “like the old folks used to sing.” “Mother’s Request,” a story song in the Pilgrim Jubilees’ tradition, is about a mother who is not concerned about where she will be buried but whether she died in Jesus.
Notwithstanding these more somber subjects, the album contains plenty of optimistic messages. On “You Can’t Stop Me,” the leader reminds the listener that he’s come too far and “I ain’t gonna stop now.” “It Must Be a Change” implores for universal brotherhood and love as ways to solve the world’s problems. “Jesus Lifted Me” is an energetic quartet version of Chicago’s First Church of Deliverance Radio Choir classic, “I’m So Glad Jesus Lifted Me.” The lead vocal shouting on this exceptional track is reminiscent of the Clarence Fountain-Jimmy Carter exchanges on Blind Boys of Alabama programs.
Behind the Zion Jubilees’ hard singing are sweet quartet harmonies, none sweeter than on the title track. Add guitar curlicues, chirping organ, and movable lyric couplets, and Jesus Is All I Need has the goods for fans of traditional gospel quartet singing.
Four of Five Stars
Picks: “Going Up Yonder,” “Jesus Lifted Me”
REV. ROY REED & THE ZION JUBILEES